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MUNTHE ART MONDAY: ALEXA GRAMBUSH

Please introduce yourself and tell us about what you do.

My name is Alexa Grambush, and I was born and raised in Michigan, loving the Great Lakes and the time I spent living with my sisters on a boat in Traverse City. My innate sensitivity to space and dynamics, both interpersonal and aesthetic, informs my creative interactions which center most in watercolor and acrylic painting work. My artistic expressions are guided by my deeply held values of truth and sincerity, and my desire to see the sacred in the everyday.

Alexa is wearing Fortunato shirt and Ursa skirt.

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Can you name some other female (artist) that inspires you and explain why they do so?

Lately, Yuko Nishikawa keeps me on the edge of my seat. Allowing myself to submerge in her work, which is so different from my own, fuels and inspires my creativity. I love her really dimensional constructions and sculptural pieces. I love the way she presents something whimsical which evokes the familiar while transporting with wonder. Her work is restful and energizing. Organic and wholly unfamiliar. Simple and complex.


Could you explain more about how being a woman has affected your career?


As I move through the world, ‘truth’ and ‘sincerity’ persist in capturing my attention. I want to pursue and draw near to them, and I have a deep awareness of their presence or absence in relational and presentational spaces. If there is one and not the other of either, I find hard ground that challenges the ability for trust, openness, or vulnerability to grow. I deeply desire to navigate the world and relationships with a heart posture of sincerity, and a resilient, humble pursuit of the truth; A harmony between what I believe and how I behave. Every circumstance, every interaction, every opportunity that crosses my path contributes to my history and existence as a person, as a woman, and my attentiveness to truth and sincerity has impacted my desire to pursue a career in fine art, and helped to guide my decisions as I have progressed through my career.

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What would you like people to notice in your artwork?


My work attempts to approach and explore the absolutely corporeal, binding experience of being alive and the deeply mysterious nature of being so through abstract expressions. My practice is tied to my perception that the world is complex, miraculous, and full of wonder, and is generally twofold: a longing to make sense of this collision of tenderness, grief, joy, and mystery, and a desire to offer outwardly a place to rest that is safe, gentle, and compassionate.

My approach is observationally driven, watchfully motivated, and thoughtfully attentive to those perceptions within and without. I indulge in the complex, and rest in distilled simplicity.

Shapes and movements are journals of emotion, memory, reflection, observation, and thought. What I hope to express, and what comes with incorporating the unexpected, the mundane, and the mystery is that our world, and life are much more full of the miraculous than even the imagination could hope to beget.

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What has been the most challenging aspect of being a woman in the arts?

I believe that as each individual has the potential to offer something of goodness and healing to the world, shaped by their own strengths and gifts, female visual makers are capable of uniquely giving similarly distinctive contributions and offerings through their work. I think that what one feels particularly burdened by, or interested in, or a surge of compassion toward may be revelatory of the role she is meant to play through her visual work. Women through history have found outlets for their expression in addressing those callings of compassion. The challenge of identifying the points of need or pain that rend my heart, and finding a way to move toward them with an offer of hope through my own means presents a constant challenge in my work—I think that challenge will be lifelong in a way that I want to welcome.

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Alexa is wearing Fortunato shirt and Ursa skirt.